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Buxus EVA and EVA-S presented: Are these still e-bikes?
The two e-bikes Buxus EVA and EVA-S come with an unusual and unique design, because visually the two electric bikes are strongly reminiscent of off-road motorcycles. The manufacturer’s goal is to combine the feeling of riding a motorcycle with an e-bike. Therefore, the installed technology is of a correspondingly high quality. A roughly similar approach was recently pursued by Noordnung with its e-bike complete with motorcycle tank top look.To get more news about fatest ebike, you can visit magicyclebike.com official website.
The two new e-bikes, Buxus EVA and EVA-S, which the manufacturer has just unveiled, are not yet available for purchase. They are to be financed shortly via the crowdfunding platform Indiegogo. A corresponding preview page is already online, but the campaign has not yet started at the moment.
The most striking feature of both EVAs is, of course, their design, which borrows heavily from classic off-road motorcycles. But the two e-bikes, firsts for the manufacturer from China, are classic electric bikes designed to capture the “spirit of motorcycling.”In purely visual terms, the EVA and EVA-S differ minimally from one another, but most of the differences are found in the technology. The EVA-S marks the more powerful model and is equipped with a 1,000 watt mid-motor that realizes 80 Nm of torque. This is the same power that the recently introduced OKAI Ranger e-bike also calls up. In comparison, however, it only reaches a maximum speed of 31 km/h.
Thus, the EVA-S gets up to 38 miles per hour, the equivalent of just under 61 km/h. At most, the top model realizes a range of 75 miles (i.e., up to 121 kilometers) thanks to its 1,200 Wh battery, which of course depends heavily on the terrain and other factors.The Buxus EVA, on the other hand, relies “only” on a 750-watt motor for a maximum of 48 km/h with a torque of 80 Nm as well, and relies on a 960 Wh battery for ranges of up to 103 km. Both batteries are removable and should be fully charged in 4.5 hours.
With the offered performance, both e-bikes do not even pass as S-pedelecs in Germany, making a launch in this country rather unlikely.Thanks to the mid-motor, the Buxus EVA and EVA-S e-bikes are said to offer a balanced center of gravity in the middle of the bikes, benefiting stability and steering. At the same time, this also benefits acceleration in rough terrain, as power is transmitted equally to both axles.
The fact that the e-bikes are designed for off-road adventures is not only evident in the design, but also in terms of the other features. Massive and soft adjustable front and rear suspensions are supposed to ensure a high level of riding comfort.The rear suspension is also coupled with an energy recovery system that enables recuperation when the AI controller is active. Thanks to a 12-magnet speed sensor and three levels of assistance, the e-bike can be adapted to different challenges.
20-inch off-road motorcycle tires (fat tires) and sturdy rims add comfort. In addition, there is a dual-piston hydraulic brake system with brake discs together with a diameter of 180 mm. The maximum load capacity of both e-bikes is also impressive. Up to 300 kg should not be a problem thanks to the robust aluminum frame.
The Buxus EVA and EVA-S e-bikes can also be equipped with an eSIM, allowing them to be operated and used keylessly via the Buxus Smart app. In addition, OTA (Over the Air) firmware updates are possible via the app, while all ride data, battery status and other information can be accessed.
In addition, the e-bikes have a built-in alarm system that sounds a siren when unauthorized people approach the bikes. Bright LED lights front and rear round out the scope of the bikes.When and at what prices the Buxus EVA and EVA-S e-bikes will be offered, the manufacturer currently leaves completely open. Both bikes are to be financed via an Indiegogo campaign, which is why an imminent release is not to be expected. More details can be found on the official product website.
Buxus Eva motorcycle style e-bike has 38 mph top speed
The Buxus Eva, described by the company as "an e-bike with a motorcycle spirit", will soon start crowdfunding on Indiegogo. The gadget has a 750 W peak power hub motor providing a top speed of 30 mph (~48 kph) with three speed modes. According to Buxus, the engine improves the e-bike's stability through its centre of gravity.To get more news about electric bikes for adults, you can visit magicyclebike.com official website.
AI-powered responsive torque sensors help the vehicle to navigate hills and stairs, and a Samsung 960 Wh battery allows up to 64 miles (~103 km) range. A dual suspension system enables you to ride over various terrains with comfort and grip. You can use the accompanying app to view information about your bike and journey with real-time riding statistics. You can also use the app for keyless unlock and to push OTA updates to the Eva. Plus, the bike has a built-in alarm system and headlights.
An upgraded model, the Eva-S, will have a 1000 W mid-drive motor for a top speed of 38 mph (~61 kph) and up to 80 Nm of torque. A 1,200 Wh battery provides up to 75 miles (~121 km) range, charging fully in 4.5 hours. Both models have 20-in x 4.25-in fat tires and four-piston hydraulic brakes. It is currently unclear how much the Buxus Eva and Eva-S e-bikes will cost; you can now sign up to a mailing list to receive updates about the products and an undisclosed special offer.
OFF-ROAD RIDING WITH ECOTRIC 20’’ FAT TIRE E-BIKE!
E-bikes have proven to be able to handle all kinds of riding conditions. Between fat tire e-bikes and cruisers, there are many different bikes to choose from to enjoy riding over different terrain. However, choosing the right style of e-bike to undertake a specific task or environment is crucial.To get more news about electric bike, you can visit magicyclebike.com official website.
Recently, the US National Parks Service allowed the use of e-bikes in National Parks, and outdoor adventures have become more popular. With the lifting of quarantine restrictions, many cyclists are finding safe and healthy ways to get around and being active.
With more public space and more free movement, e-bikes are ideal tools to avoid sharing public transport or waiting for traffic jams. Another benefit of all-terrain e-bikes is that they perform well in both road and off-road vehicle conditions. Choosing a fat tire e-bike will prove very useful to reinvent the way you ride.There are many reasons why fat tire bikes have become more and more popular recently. From their unique appearance to superior riding performance, fat tire e-bikes are proving increasingly useful to Americans across the Country.
The main feature, of course, is the fat tire that defines the category. These tires are specially designed for all-terrain conditions. The wide and deep tread allows the bike to navigate on a variety of surfaces.
Wide tires can be easily ridden in snow, sand or muddy conditions. The wide rubber tire adds special control to these varying conditions, providing a stable ride in smooth or icy patches.
Powerful 500-Watt Motor
To help you along your off-road expedition, the integrated 500-watt motor will give you extra power and performance behind the handlebars. Is there a big mountain on your daily commute? Do you want to explore the mountain terrain? If it is, then this powerful motor will give you the extra push you need to conquer whatever road is on your way.Either enjoy the full motor driven riding option or pedal-assisted motor option to help you move obstacles with ease.
Folding Design
Ecotric has launched a revolutionary foldable fat tire bike design! One aspect of other fat bikes is that they often waste space and take up far more square footage than is necessary. With Ecotric's patented folding design, you can easily store and transport your Ecotric 20’’ fat tire e-bike. A safe space at home or in the car with an amazing folding fat tire bike.
Ecotric's Guarantees
Keep in mind that electric fat tire bikes vary in quality and performance. Ecotric designs the bikes with innovative features to ensure that all elements of our 20’’ fat tire e-bike have a cutting edge design and provide all-terrain riding capability.
At Ecotric, we are committed to providing the most affordable e-bikes of all classes and performance. Our Ecotric 20’’ fat tire e-bike is the ideal adventure companion to take you wherever you want to go.Don't like something so adventurous? We also have the very comfortable Ecotric city e-bike, which is specially designed for urban cycling.
Cinema Eye Honors reveals full list of nominees for 2023 edition
The Cinema Eye Honors have revealed the remaining nominees for its 2023 edition, including the films that will vie for the Outstanding Non-fiction Feature and Outstanding Debut awards, as well as the finalists selected from the previously announced long lists of nominees for the Outstanding Non-Fiction Short and Audience Choice awards.To get more news about Level 1 to do a pornographic pornographic film, you can visit our official website.
Competing in the best feature category are some of the year’s most acclaimed and already awards-laden documentary titles, including Laura Poitras’ Golden Lion winner All the Beauty and the Bloodshed, Sara Dosa’s Fire of Love, Shaunak Sen’s All That Breathes (pictured) and Alex Pritz’s The Territory. Rounding out the nominations are Daniel Roher’s Navalny and Payal Kapadia’s A Night of Knowing Nothing.
Poitras, Sen, Dosa and Kapadia also picked up nominations in the best director category, along with Margaret Brown (Descendant) and Rebecca Huntt (Beba). Huntt, Kapadia, and The Territory‘s Pritz, meanwhile, were also recognized among the best first feature nominees, along with Reid Davenport (I Didn’t See You There), David Siev (Bad Axe) and Kathryn Ferguson (Nothing Compares).
In addition to the well-travelled titles among the nominations, Cinema Eye also highlighted films that it deems have not yet received the attention they deserve in the Spotlight category, including Rosa Ruth Boesten’s Master of Light.
Nominations in some of the key categories for the 2023 Cinema Eye Honors are listed below; the full list of nominations revealed today, including several craft categories, can be found on the organization’s website. See here for the previously announced nominations in such major categories as Broadcast Film, Non-fiction series, Anthology Series and more, and here for the 2023 edition’s list of “The Unforgettables,” a category that honors documentary-film subjects.
12 Movies You'll Love If You're Obsessed With Beauty
Makeup, and hair accessories and nail polish, are a girl's best friend, right? Well, maybe not to everyone, but if you're beauty-obsessed, then please, keep reading.To get more news about Japanese and Korean first-class porn, you can visit our official website.
Whether you're a major fan of achieving Betty Cooper's bold lashes on Riverdale or a frequent nail-art queen, we've found 12 movies that were pretty much made for all you beauty buffs out there. From the obvious ones like Marie Antoinette — hello, who doesn't love a good period makeup piece? — to ones that you might not have thought of like Pretty in Pink — Andie's lip liner technique is the more the better, and we completely agree — we've got you covered.
Check out the top movies that scream beauty and will inspire you for years to come. Don't forget to have your mood boards ready and your favorite eye shadow palette close by . . . you never know when inspiration will hit!Sofia Coppola's 2006 film about the life of the iconic queen of France, Marie Antoinette, is a must-watch for anyone who loves pastel color palettes, period pieces, and makeup: lots and lots of makeup. The extravagant costumes worn, with equally over-the-top beauty looks — think powered complexions, stained lips, and pinched cheeks — will take you back in time instantly.
Vidal Sassoon is one the most iconic hairdressers of all time, so why not watch a movie about the industry pro? If you watch this film, you will be transported through the fascinating world that Sassooon created in the 1960s and beyond, and be inspired by cuts, colors, and beautiful styles that have survived generations of fashion and cultures.
This '90s movie is a parody of real-life beauty pageants, from small towns in middle America, and every contestant's style perfectly suits them. From Kirsten Dunst wearing a United States of America map as a hat topper to Brittany Murphy's Barbie hat — and dark hair color to offset it — each star outdid the other in this movie, and their dramatic eye looks and big hair moments are not to be missed!
Aubrey Hepburn is a beauty icon on her own, but in Breakfast at Tiffany's she takes it up a notch. Her feminine style and grace is paired with the dream liquid eyeliner look and bold lashes that every girl wishes they had. Plus, her hair is so classic and elegant, and we want to recreate each and every look on a regular basis — especially while dining at Tiffany's.
This documentary shows a real glimpse into the world of modeling. It will take you through what it's like to be on set and pose for Vogue and Glamour and what it really takes to make it in this cutthroat industry. Of course, there are some glamorous elements to being a model and being on the cover of magazines — like the fancy clothes and fabulous beauty looks — but this film goes beyond that.
What's not to love about two best friends who make their own clothes, and do their own makeup and stay true to their wild, fun selves? Both Romy and Michele have such unique style in this '90s film, and we can't get enough of their banter, shimmer-inspired ensembles, and bright colored makeup choices.
AUDIENCE AWARD - ARMANI BEAUTY
The Venice International Film Festival of La Biennale di Venezia will again present the Audience Award to the best film in the Orizzonti Extra section, now in its second year, with the support of the main sponsor of the Festival, Armani beauty.To get more news about first-class blockbuster, you can visit our official website.
The winner of the Audience Award - Armani beauty will be decided by the votes cast by the viewers of the nine films in the Orizzonti Extra section, all of whom are eligible to vote, be they individual ticket holders, pass-holders for all the films in the section, or accredited visitors who have reserved a ticket for the films in this section, limited to the official screening of each film in the line-up at the Sala Giardino at 9 pm.
Each viewer entitled to vote will receive an email with an individual link to express their preference, rating the film from 1 to 10. The link may only be used once, after which it will no longer be valid. Viewers who receive the link must cast their vote before 8 pm on the day after the official screening of the film. For the last film, scheduled to be screened on Friday September 9th, the vote must be cast before 1 pm on Saturday September 10th.
The Audience Award - Armani beauty will go to the film that receives the highest average rating from all the votes. The award will be conferred during the closing awards ceremony to be held on Saturday September 10th in Sala Grande (Palazzo del Cinema, Lido di Venezia).
The Orizzonti Extra section, which was introduced last year at the Venice Film Festival, is an extension of Orizzonti, the competitive section dedicated to new trends in world cinema, which over the years has contributed to introducing and launching auteurs who are now firmly established. With broader criteria for format and duration, Orizzonti Extra presents a selection of works with no constraints in terms of genre, duration or target, provided they are longer than 60 minutes, paying special attention to films that address specific genres and current production, with the aim of demonstrating innovation and creative originality in the relationship with the audience they are meant for.
The screenings of the films in Orizzonti Extra will be followed by audience Q&As with the directors, authors and actors, moderated by the writer and radio host Chiara Tagliaferri.
Keke Palmer Narrates the Seedy Underbelly of the Beauty Industry in HBO Max Docuseries
Self-care is all about taking the time to be kind to yourself and treat your body with love. After all, we all only have one body to carry us through life, and maintaining its upkeep can knock out complications down the road. But, what happens when our goals and the goals of the people selling us our products don’t match up? That’s precisely what HBO Max is going to delve into during their original documentary, Not So Pretty. On April 14, narrator Keke Palmer and Academy Award-nominated filmmakers, Kirby Dick and Amy Ziering are going to take viewers down a rabbit hole, showing them the darker side of the beauty industry.To get more news about Free player av young woman cinema, you can visit our official website.
In an upbeat trailer released just a week ahead of the four-part docuseries' debut, we’re given a look at what to expect from the upcoming documentary. With Palmer as our guide, viewers are taken through the $140 billion a year industry, with the curtain immediately pulled back to reveal its seedy underbelly. From product users’ hair falling out in clumps to skin falling off hands, the film promises to not hold back on any of the nitty-gritty details.
But wait — it gets so much worse! Unbeknownst to many, chemical regulations are incredibly lax in the beauty industry — as in not really there at all. And if you think that’s bad, just wait until you hear what they’ve found in certain product chemical mixtures. The rest of the teaser is a veritable horror show as the self-care routines we know and love get the third degree from professionals hoping to make a difference.
Also hoping to make a difference is Palmer. Like many of the audiences who will be sitting at home watching the events unfold with their jaws dropped to the floor, Palmer was also saying Nope as she worked on the piece. In a statement released with the trailer announcement, the Primetime Emmy Award-winning actress said:
Check out the trailer for Not So Pretty below and be sure to check out the full documentary when it lands on HBO Max on April 14. And while you’re at it, maybe hold off on that skincare routine for now.
Cannes Film Festival 2022: The best beauty looks on the red carpet
After two years of Covid-related restrictions, Cannes Film Festival is back with a bang for 2022. Now in its 75th year, the prestigious occasion, which previews new films of all genres, has welcomed some of the world's biggest stars to the French Riviera.To get more news about If you want Lu, you will be Lu Ye Ye Shuang, you can visit our official website.
Already we have seen the likes of Katherine Langford and Rebecca Hall attend the screening of Final Cut, a zombie comedy directed by Michel Hazanavicius, and we can't wait to delve into some of the best red carpet looks.
Cannes Film Festival is an invite-only occasion which previews new films from all around the globe. Founded in 1946, the event is typically held at the Palais des Festivals et des Congrès in the month of May. Cannes is one of the three major European film festivals, alongside the Venice Film Festival and the Berlin International Film Festival.
We simply can't get enough of Bollywood actress Deepika Padukone's dramatic eye. Her look featured a bold dark grey shadow which extended beyond her eyelids, finishing very near her brow line. The 60s makeup look defined her brown eyes beautifully, plus her voluminous false lashes gave her an incredible flutter.
British actress Rebecca Hall went all out, channelling the red shades of her outfit into her beauty look. Her blue-based red lip drew attention to her pillowy lips and worked well alongside her understated cream-coloured shimmery eyeshadow.
American host Steve Harvey's model daughter Lori looked a million dollars with her hair styled in a sleek bun and a glowing makeup look. Her cheeks had a subtle radiance and her smokey brown eyeshadow was an excellent choice.
French model Amandine Petit looked the picture of radiance in shimmery silver eyeshadow which made her green eyes sparkle. Her hair was styled back off her face into a chic updo and we are very much obsessed with her jewelled headband which sat across her forehead – quite possibly the most glamorous 1920s flapper girl look we've ever seen.
Katherine Langford looked gorgeous in an elegant updo and an understated makeup look. Her flawless skin and neutral lip gave her a certain effortless beauty, letting her shimmery Prada gown do the talking.
Eva Longoria looked unbelievably glam in a glossy pink lip and dramatic cat eyeliner. We love her statement jewelled black choker which gave her look a 90s edge.
Venice Review: Laura Poitras’ ‘All The Beauty And The Bloodshed’
The scourge of the opioid crisis has been documented in the press and in government reports; the culpability of the Sacklers, the multi-billionaire pharmaceutical family whose former company Purdue made the painkiller Oxycontin, has been successfully dramatized. The Sacklers are everywhere in Laura Poitras’ gripping documentary All the Beauty and the Bloodshed, but they are supporting players.To get more news about Asian first color, you can visit our official website.
At its center is Nan Goldin, the 68-year-old photographer who was prescribed Oxycontin, quickly became addicted to it, found recovery through a replacement drug and then threw her energies into calling the Sacklers to account. Goldin became the most public face of the campaigning group PAIN, leading the charge into museums with Sackler wings, Sackler rooms and Sackler money to shame their well-heeled executives into cutting those ties. The Sacklers might have hijacked Goldin’s body, but she could at least work to turf them out of the places that held her pictures.Laura Poitras has a great ear for a dissenting voice. Her first full-length documentary My Country, My Country was about ordinary Iraqis living under U.S. occupation; it brought her critical acclaim and an Oscar nomination. It also put her on the Department of Homeland Security watchlist. Subsequent films have focused on the trials of a driver and a bodyguard who worked for Osama bin Laden, Wikileaks founder Julian Assange and intelligence whistle-blower Edward Snowden in Citizenfour, which won the Oscar as best documentary in 2015.
In All the Beauty and the Bloodshed, screening in competition at the Venice Film Festival, she draws a thread through the phases of Nan Goldin’s life — as a child instinctively at odds with her frigid suburban family, as the famous chronicler of New York’s bohemian fringes and the Goldin we see here, the stalwart campaigner leading a chant rejecting the Sackler family’s patronage in the foyer of the Guggenheim. Poitras, the most meticulous of researchers in other contexts, doesn’t provide a great deal of detail about the opioid crisis or the Sacklers’ part in it. The fight — and Goldin’s fight in particular, as a surviving addict who has survived so many things in life — is the thing.
Goldin is a household name, at least in households with a passing interest in art. Her photographs of sexual and social outsiders are vivid and heartfelt, a nether world of sequins, sex, drugs, dissipation and genuine joy. For the people who see them in galleries, Goldin observes, they look like cinema stills. “Because most people think they are characters. But for the people being photographed, it’s just them.”Less known was Goldin’s own story which, as she tells it here, was grounded in a childhood with little parental affection. Her older sister Barbara cared for her, giving her the hugs, love and stories that were beyond her prim mother, until her parents decided she was mentally ill and placed her in an orphanage in her early teens. A couple of years later, she committed suicide. Barbara was a rebel at heart, says Goldin. “She just didn’t have the power to go into full-blown rebellion, the way I did.”
Nobody was supposed to speak about it. Nobody was supposed to discuss anything that didn’t sound respectable. For an entire year, the child who became Nan Goldin didn’t speak at all. Her parents placed her in foster care; talking to Poitras, she suddenly remembers being physically sick with fear. Fortunately, she wound up in a progressive school — the only one that would have her, after many expulsions — where she was provided with a camera. “It was the only voice I had.” It also gave her a passage out.
Everyone involved in PAIN, the Oxycontin survivors’ organization campaigning for redress, knows how crucial it is that one of the most recognized names in the contemporary art world is seen to be at the forefront of a battle within that world. It isn’t the war, which they would feel had been won if the Sacklers were in jail, but winning the battle is certainly something. One by one, the museums they target announce they won’t be taking the Sacklers’ tainted money any more. Their name starts to be removed from gallery walls. It may be a victory of largely symbolic value, but patronage in itself is symbolic, a way to make dirty money seem clean.
Just as crucial as Goldin’s place in that world, however, is her willingness to make headlines by talking and writing about her own addiction, describing the abjection of a life built around scoring and using without pulling her punches. What All the Beauty and the Bloodshed makes clear is that this is all of a piece with the photographs of drag queens, prostitutes and parties, the angry records of AIDS sufferers, the portraits that show glamour and tenderness where others might see the grotesque.
Poitras never shoots Goldin in a way that lionizes her or gives her the stature of a warrior queen, even though that would be easy enough to do with some emphatic angling and the right lighting. She puts her camera squarely in front of Goldin and shows her at work. In the process, she makes a stupendous work of her own.
Cinema Eye Honors Announces 2022 Nominees – Film News in Brief
Cinema Eye Honors has announced this year’s nominees for its 16th Annual Awards Ceremony.To get more news about Japan's Yiren Color Comprehensive Network, you can visit our official website.
Sara Dosa’s “Fire of Love” and Alex Pritz’s “The Territory” lead with seven nominations each, followed by Shaunak Sen’s “All That Breathes” with six nominations and Laura Poitras’ “All the Beauty and the Bloodshed” with four. All four films are nominated for outstanding nonfiction feature, along with Daniel Roher’s “Navalny” and Payal Kapadia’s “A Night of Knowing Nothing.”
Pritz has the most individual nominations this year with five nods for “The Territory.” Sen has four, and Kapadia received three.AFI FEST 2022 announced the three winners of this year’s short film Jury awards on Nov. 7, spotlighting the live action short “Birds,” the documentary short “Haulout” and the animated short “Sierra” for creating art that can “bring people together,” AFI president and CEO Bob Gazzale said.
“Birds,” directed by Katherine Propper, is a 14-minute narrative that follows the lives of teenagers in Austin, Texas through summer boredom. Directors Evgenia Arbugaeva and Maxim Arbugaev’s “Haulout” features Maxim Chakilev, a man who waits in the Russian Arctic to observe an ancient gathering. “Sierra,” directed by Sander Joon, is a black comedy that uses car racing as the literal vehicle to discuss themes of toxic masculinity, which the jury dubbed “simple in subject but deep in content.”
Special mentions include “Yokelan” for ensemble acting, “How To Be A Person: How To Get An Abortion” for screenwriting, “An Avocado Pit (Um Caroço de Abacate)” for lead acting, “Kylie” for cinematography, “Not Even For A Moment Do Things Stand Still” for historical relevance, “The Spiral” for sound design and “It’s Raining Frogs Outside (Ampangabagat Nin Talakba Ha Likol)” for editing.
Thirty-six countries were represented in this year’s AFI programming, spanning 125 titles total. Several International Feature Oscar submissions were also included, such as “Alcarràs,” “Bardo,” “False Chronicle of a Handful of Truths,” “Close,” “Eo,” “Joyland” and “Saint Omer.”
This year marked the 36th iteration of AFI FEST, which annually showcases high-profile films from international creators. The festival wrapped Nov. 6 after five days of extensive programming and Red Carpet Premieres.Director Darren Aronofsky’s “The Whale” won the Audience Award at the 2022 Miami Film Festival Gems, which took place Nov. 3-10 at the Tower Theater Miami.
The near two-hour drama follows an English teacher (Brendan Fraser) grappling with obesity and reconciliation with his teenage daughter (Sadie Sink). Previous Audience Award winners at the festival have gone on to score Oscars, such as 2021’s “King Richard” and 2019’s “Parasite.” This year’s runner-up films for the Audience Award were writer-director Colm Bairéad’s “The Quiet Girl” and director Maria Schrader’s “She Said.”
The cast of “Glass Onion: A Knives Out Mystery” was honored with the Ensemble Award, and the film was screened at the opening of the eight-day festival ahead of its Nov. 23 theatrical release. Paul Dano received the Precious Gem Award for his performance in Steven Spielberg’s “The Fabelmans,” which was also screened at the festival’s closing.